Romantic Minis – Part I

Sometimes you just need a break from it all. And at times like that, I either take a break from the artwork completely, or I go to a completely soothing, twee theme which always makes me feel like snuggling up to my animal companions or a good friend. That’s the Romantic Minis series.

So! For my latest holiday, I illustrated six new romantic minis, as well as listing an older romantic mini that I thought I’d lost track of! Here are the first three!

Bronze FoxhoundsAVAILABLE AT ETSY

Blue FoxesAVAILABLE AT ETSY

Gold-Red PeacocksAVAILABLE AT ETSY

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I’ve been framed!

Two frames arrived today from Frameshop.com.au. I’ve had hit and miss success with them; I’ve had two frames arrive broken in the past, but their prices are also very competitive, and so with trepidation, I decided to invest in another two frames for two Wandsuna illustrations. And they are beautiful; arrived safely and everything.

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Wandsuna – Foxes Don’t Cry was the first non-pastel Wandsuna work that I illustrated, and I was kind of hooked on the ink -> watercolour pencil -> pencil -> acrylic -> etc. format and knew I’d have to revisit it. I love this illustration. So many foxes! So much red! Foxes! Red! And basically all my sophisticated thoughts drift off from there.

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Wandsuna - Foxes Don't Cry by Ravenari

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Wandsuna – Remember? is probably one of the most personal illustrations I’ve ever done, though the symbology for Wandsuna is quite complex, I still found it impacted people in personal ways as they watched the progress on Dreamwidth. The interpretation of the image by others was perhaps – is still, perhaps – my favourite part of putting a piece of artwork out into the world. It’s because of this that I still maintain a great reluctance to explicate the themes and symbols of the Wandsuna illustrations.

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I feel the artwork should be able to speak for itself; and I feel the dream-like nature of the Wandsuna series reminds us all that all artwork speaks first to unconscious processes, and then to consciousness.

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I’m happier than I thought I would be with this colour combination. The cream mattboard really brings out the cream/white costume, and that’s awesome.

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Wandsuna - Remember? by Ravenari

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I’ve been very much enjoying the wild, blustery Perth weather of the past 24 hours, and I hope it continues. FOREVER. Okay, but in all seriousness, I would not be upset if the rain continued FOREVER. Particularly if it remained blustery and there were overhead booms of thunder and flickers of lightning. I know storms can’t last, but one can live in hope! I imagine all the angry powerless flooded people will be knocking on my door soon with angry letters and glares.

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I’ve been living wild in the wondrous music of:

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Woodpigeon
Joe Hisaishi’s – Ni No Kuni soundtrack (NI NO KUNI! Is anyone else as excited about the English release of this video game for the PS3? Has anyone heard of it? You don’t know? OH MY GOD, MIYAZAKI AND STUDIO GHIBLI TEAMED UP TO MAKE A DS and PS3 FINAL FANTASY STYLE GAME BUT WITH THEIR STORYBOARDS AND MUSIC AND OH MY FREAKING GOD IT LOOKS AMAZING. The DS version has been getting great reviews so far.
Ludovico Einaudi
Robyn
And a bunch of other things.

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I’ve started a Master of Communications, to complement my Bachelor of Communications, and mostly because I’m a total suckah for punishment. It’s hard work, but it’s also a lot like revisiting my old friends. Oh media theorists, I’ve missed you. *pets Fiske and Hartley.*

Wandsuna: Dressmaking

I started the Wandsuna series over seven years ago now. It started because of recurring dream sequences that involved heavily costumed people with strange heads and no faces enacting very ritualistic activities. Sometimes there would be many, sometimes only one, but one day I woke up and decided to start drawing them. And from that day, the recurring dreams stopped.

Wandsuna: Dressmaking

Wandsuna: Dressmaking

I chose pastels (Schminke, Winsor & Newton, Carbothellos) for the series, because they had the right vividity of colour that I was looking for. Using large, tinted Mi Tientes paper, I allowed my surreal visions to spill forth awkwardly.

Dressmaking was one of the later contributions to the series, and has since been destroyed (mental illness has certainly affected the Wandsuna series), though it lives on in several .jpgs.

The recurring motifs that appear in the Wandsuna series, I feel, are the following:

1. The costumed figure with no face. Sometimes they have real hands, sometimes they don’t. The costume is rich with my own symbology (of both colour, form, shape and so on).

2. The fox, or foxes. Leashed or unleashed.

3. The charred spirit.

4. Often a dichotomy between nature and industry, though in my latest works, this hasn’t been as present. I feel the dichotomy between nature and industry is present automatically, between the costumed figure and the natural elements itself.

5. A preferred use of framing withing frames, or blocky shapes to separate different aspects of the picture.

People ask me what the Wandsuna pictures mean, and I prefer to let people come to their own conclusions. Every internal narration of an artwork adds to the patina of understanding of that piece. And I am just as happy to hear interpretations wildly different to my own, as those that come quite close.