Totem sketchapalooza!

Well. I’ve been passing the time by mostly being quite anxious and stressed out. I like to redirect that energy when I can, and as I can’t seem to relax right now (I tried some breathing exercises and all I got for them was some lousy heart palpitations and hyperventilation for my trouble!), I decided to go the animal totem route. Here’s what’s on my drawing plate right now!

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Barnevelder

Barnvelder Hen Sketch by Ravenari

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Celestial Wolverine

Celestial Wolverine Totem Sketch by Ravenari

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Chudditch

Chudditch Totem Sketch by Ravenari

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Dutch Bantam

Dutch Bantam Totem Sketch by Ravenari

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Short-Tailed Paradigalla

Short Tailed Paradigalla Totem Sketch by Ravenari

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Rhode Island Red

Rhode Island Red Totem Sketch by Ravenari

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Short-Tailed Weasel

Short Tailed Weasel Totem Sketch by Ravenari

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Sussex Hen

Sussex Hen Totem Sketch as Totem

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Phew! Thank goodness I’m going on a small holiday at the end of June, that’s all I’m saying!

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All of these will be available for sale once completed. 🙂

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Too many rabbits…

Well, obviously:

Wandsuna - Remember? Artwork by Ravenari

I’ve been doing so much art and writing lately, that I’ve actually lost track of blogging here. That’s just… incredible. Along with the art and the writing, I’ve been going through something of a PTSD exacerbation since mid-December, and have been feeling less buoyant as a result (somewhat of an understatement). There was a trigger in real life that caused this (a catalyst you might say), so at least I have the ‘comfort’ of knowing it doesn’t come from no where. But at the same time, three and a half months is a long time to deal with an increase in all of my symptoms, from nightmares to bruxing to stomach upsets to flashbacks to losing time to just general miserableness.

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So, I decided to get some of it out of my system, and returned to the cathartic and personally symbolic Wandsuna series. The Wandsuna series started around 1998, I believe, and back then it was exclusively limited to pastels. But the series has been evolving as I’ve been, and now we’re into inked, bulgy-eyed rabbits:

Wandsuna - Remember - Detail by Ravenari

This illustration, entitled Wandsuna – Remember? is unfinished, and still needs to be coloured, but there is a liminal moment after inking and pre-colouring where I feel I have a finished piece before the piece is a finished piece. It drifts between being complete and not complete. I treat the inking process as a ‘completion,’ and intentionally put more detail into the piece than can be visibly seen post-colouring. We all have secrets. Even the Wandsuna pieces do. What can’t you see behind the colour, even up close? Well…

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What you can see however, is too many rabbits.

wandsuna - remember - detail 02 by Ravenari

Work it!

Currently I am embarking on a personal project called ‘100 walks for health,’ which is based on the idea that I walk 100 times for health. It’s pretty straightforward. And then afterwards I start again. The rules are – the walk has to be over 10 minutes to count (and multiple walks a day count as separate walks), and other things like playing kick to kick or swimming don’t count. Anyway, today I walked in a thunderstorm and it was awesome. (Even if I did get rained on despite my umbrella, and got paranoid about being hit by lightning because it was all around me.)

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In the meantime, I finally finished the inking of Steampunk Elephants or Clearcutting at Dawn. This is how I felt about it yesterday:

photo of the day  - a commen sentiment - by Ravenari

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And this is how it looks today:

Clearcutting at Dawn by Ravenari

What I love so much about this series for the Natcon 50 Future Imperfect art show, is that I get to do something with animals that I’m not normally doing.

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I’ve been taking animals and looking at their natural environment, and then looking at how I’d personally exploit them (not that I want to exploit any animal really) in an imperfect retrofuture, where we only allow animals to survive if they can directly benefit us through work, beauty or medicine/health.

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In this, I liked the idea of genetically modified elephants used in the process of clearcutting to save on fuel and materials needed to build the tractors and bulldozers and so forth needed. Because huge elephants could be engineered, larger trees could be engineered and managed, and the wood yield would increase in a world where there wouldn’t be that much wood remaining.

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Elephants are actually built to take down trees. While some of them will tear at branches, many will actually uproot acacia trees in order to get at the whole top of the plant. Unlike giraffes which evolved to reach the top of the trees, the elephant evolved to just take them down. To then take that natural instinct and accelerate it into a vegetative drive where the elephants even enjoy, or run towards trees that need knocking down, is something that I’ve been contemplating for a science fiction world I’m tempted to set a novel in. Photovoltaic ravens, deforestation-savvy elephants, giant squid that put the ‘giant’ in the name shepherding steamers from place to place in a world where supercell storms are the norm.

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Is it just me, or does anyone else really love that kind of stuff?

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But don’t fret, I’ve been working on a metric fuckton of totem illustrations too, including this recent one of Kookaburra, where the colours are all clashy and glarey, even for me:

Kookaburra as Totem redo by Ravenari

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This one is for sale at Etsy, just follow this link.

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And if you’re interested in what Kookaburra represents as a totem, you can read the full essay here, or just contemplated the keywords:

Laughter. Family. Wooing your partner. Sibling rivalry. Healing others and the self. Conquering fear. Ending old patterns. Turning hurt into happiness. Hunting down your own truths. Signals. God energy. Teaching and sharing your truths with others.

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If you could choose any animal for me to genetically adapt in my dystopian Future Imperfect, what would you choose? 🙂