Illustrating those that have passed on.

Recently, I’ve been inking a commission of a recently passed, lovely cat. Inking individual beings as opposed to collective totems is a very different process. Generally, in terms of ‘ease’, totem animals are easier than living animal companions are easier than passed animal companions.

Because of my practices within shamanism, it is taboo to contact a passed being companion within 13 days of its passing (unless I was the one who personally ‘pomped for the being), but after that, this taboo lifts, and it becomes okay.

And though it’s never easy, it’s always rewarding and worthwhile (hopefully as much, if not moreso, for the client). There is a profound sense of being honoured by the animal in question, and often, a profound sense of love comes through. Not for me, I am just the messenger – but for the client in question.

I suppose if I wasn’t a spiritual person, I’d be singing that love through in a different way. But because of my shamanic practices, there are trance state and spiritual conversations involved, there are random feelings or colours or textures or even thoughts in a way that is just a different flavour to illustrating totem animals.

I’ve drawn many animal companions over the years and the process fills me with similar emotions each time. Being honoured by both the client and the animal companion and, in some cases, my own guides  who help me make contact. The fear/hope that comes from wanting to do my very best and pushing myself hard and hoping clients can see that. The satisfaction of actually putting my pen or brush to the board and seeing life emerge from a static white space.

But I can’t spend too long blogging, I must get back to work. 🙂

*

PS: I can’t believe it’s been over 8 months since I last blogged here. Boy and howdy do I have some exciting news! But that can wait for another post. 🙂

Advertisements

Blackcap as Totem

This totem has the awesome honour of being a patron of Italian culture and the arts. I mean, in general, it’s an awesome bird – but did you know that something so tiny has inspired a lot of artists? What a wonderful, and overlooked, totem animal.

*

BLACKCAP as TOTEM

Blackcap as Totem by Ravenari

REPRESENTING:

Sharing your song with others, possessing a sweet voice, knowing how to persuade others, the pen is mightier than the sword, learning new ways of expressing yourself, respecting religious pathways, enjoying sacred spaces, adapting to significant changes to your environment, being fond of myths and legends, associations with St. Francis, connection to Italian culture and crafts, muse.

*

GENERAL DESCRIPTION

The blackcap is a widespread, common passerine warbler found in Europe, western Africa and Europe. They are sexually dimorphic, and have a unique colour pattern for warblers. The male is grey with a distinct black cap, the female has a brown cap. They prefer to forage and hunt in shady woodlands, and nest in groundcover, preferring low shrubs. Their song is pleasant, chattering, with occasional clear notes; isolated blackcap populations can show marked differences in style and complexity of song. The blackcap is more hardy than other warblers, taking berries as well as insects when the weather gets tough. The blackcap is partially migratory, but recently some have been changing their wintering habits due to the availability of human food and gardens and recent environmental changes; the birds that are not migratory have higher survival rates than those that are. In some cultures, the blackcap is consumed as a food and considered a delicacy. Blackcaps have long inspired Italian writers, who knew the bird as La Capinera. They are associated with St. Francis in the opera Saint Francois d’Assise.