Cover Announcement – Prickle Moon

I am an enthusiastic fan of science fiction / fantasy literature. Always have been. My sprawling collection of books threatens to take over all of our bookshelves and other genres at a moment’s notice, and I like it that way.

Earlier this year, I got an email message about the possibility of illustrating a cover with spiritual elements and a totemic hedgehog for an upcoming short story anthology from one Juliet Marillier, for Ticonderoga Publications. I remember thinking ‘wait, is this happening?’ In my sprawling collection were some of Juliet’s books, which I have enjoyed and devoured late at night, turning pages by lamplight with cats snoozing next to me. I also remember thinking, as I read the email, ‘it’s probably a good thing I’m already lying down.’ Heh.

I love collaborating with creative people, it’s one of my favourite things to do, so I thought I would share with you some of the process, from conceptualising the cover, all the way through to this week’s announcement of the official cover.

As well as a personally done colour sample, and individual sketches of hedgehogs for the delightfully named Prickle Moon, I did a few cover roughs, but the one we eventually agreed on, was one I developed in front of Juliet, discussing everything from colour, to tree symbolism, to placement and so on.

From there, I developed an official sketch showing all the compositional elements for a full-wrap cover.

And then, the process of inking. I decided to go with a more thorough style than what I normally use, to create a good sense of depth and texture. This part of the process took the longest, so I tied myself over by sending the occasional work in progress photo to Juliet and Russell. As you can see from the next photo, I was building up a lot of form with a technique known as stippling, or as we artists sometimes think of it: ‘oh god, my wrists.’ (Though I think it’s worth it!)

That said, I love stippling, because as time goes by, this incredible effect happens with the building up of simple dots. I was primarily using Artline Drawing System pens in the 0.1 size.

Which eventually lead to more detail:

And an ink illustration ready for colouring.

After inking, there is the process of overlaying colour to create a sense of depth. Juliet selected the colour scheme – a violet/purple monochrome palette and the effect of moonlight – and it was so much fun to work with. I have always been a fan of monochromatic palettes since they create unity and flow. Not only that, but it was also tremendous to work with the energy of hedgehog, and feel what it must be like to see the world from a perspective of toadstools and grass, where everything works on a different level than it does to us.

And now, I am so excited to show you the cover art for Juliet Marillier’s short story anthology, Prickle Moon, which will be launched officially early next year.

It’s been so much fun working in this way, and to have this opportunity. I’d like to say my thanks again to the awesome Russell and Juliet for the privilege. Let’s face it, what illustrator of narrative art doesn’t wish to see their artwork on a book cover one day. Not only that, but for a wonderful author, and publishing house, and a wonderful subject? Meanwhile, I shall be secretly (okay, not secretly at all!) thrilled to have another book to add to my sprawling collection of science fiction and fantasy books.

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Sneak Peek of upcoming collaboration between myself and Le Animale!

Le Animale and I have been working on a collaboration over the past few months.

She has been sculpting 10 totems amongst all her other works, and then they have flown over to Western Australia where I have painted them in my own style.

Additional, separate illustrations with a more complex style, all featuring landscape elements, will be going on sale to commemorate this project within my own Etsy store.
Each totem will come with a laminated collector’s card, which features a print of the illustration, as well as a paragraph of meaning about the totem, written by myself.

Although not officially launched yet, we are taking pre-orders of the sculptures. I have been so tempted to keep all some of these for myself!

Pre-painting – From left to right (the ones crossed out are the ones already ordered) Gentoo Penguin, Red Kangaroo, Komodo Dragon, Meerkat, Amur Leopard, Dugong, Dodo, Giant Oceanic Manta Ray, Harpy Eagle and Ocelot.

This is a limited edition collaboration that will happen approximately every six months or so. In the interim we shall be working on our own projects, and not offering customs (it’s unfeasible with postage – they are jetsetting totems, created in the N. Hemisphere and painted in the S. Hemisphere!)

Hoping to officially launch in October!

If you have any questions, want to see some of the illustrations or some photos of painted sculptures between now and launch for the purpose of pre-order, feel free to email me at ophelias.diary@gmail.com 😀

Porcupine as Totem

Clearly the punk rocker of the animal kingdom. Or maybe that’s just my illustration; which turns a perfectly dignified animal into TOTAL SID VICIOUS BABY!

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NORTH AMERICAN PORCUPINE as TOTEM

American Porcupine as Totem by Ravenari

REPRESENTING

Back up, having excellent defences, needing to protect yourself from yourself, having a tense or unusual relationship with trees, possessing an affinity with the darkness and the shadow realms, benefitting from primarily vegetarian diets, doing things your own way, being unique, look after yourself, don’t be afraid to inflict some damage, sometimes the nice way isn’t the best way, don’t be afraid to be prickly, watch salt consumption, learning to differentiate insult from fair statements, taking things slow will suit you right now.

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GENERAL DESCRIPTION

The North American Porcupine is a large tree-climbing rodent also known as the Canadian porcupine, common porcupine, and quillpig, among other names. They are found in Canada, Alaska and Northern/Western USA, where they are common and widespread. They are usually found in coniferous and mixed forests, but can also be found in deserts, shrublands and tundra provided there are adequate thicketed areas. They den in the holes of trees and rocks. Porcupines are known for their characteristic quills, which are modified hairs. They detach easily and are used as a defense, these quills are urticating and hard to remove. Because porcupines will sometimes get stuck with their own quills, they are one of the rare mammals to have antibiotics in their skin.

The North American porcupine is solitary and primarily nocturnal. They are nearsighted, slow-moving, and selective, fussy eaters, which has lead to an unusually well-developed ability to negotiate mazes and memorise very complex directions. They are herbivorous, and in Summer they eat twigs, acorns, roots, stems and berries, in Winter they stay closer to their dens and eat conifer needles and tree phloem and cambium. Because they often focus feeding on a particular tree, they can kill it or cause extensive damage. They are sometimes considered a pest because of the damage they can inflict on trees, tyres and wood. Because of their slow movements, they are often hit by vehicles. They are predated upon by primarily by fishers, as well as wolverines, coyotes and mountain lions.

Blackcap as Totem

This totem has the awesome honour of being a patron of Italian culture and the arts. I mean, in general, it’s an awesome bird – but did you know that something so tiny has inspired a lot of artists? What a wonderful, and overlooked, totem animal.

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BLACKCAP as TOTEM

Blackcap as Totem by Ravenari

REPRESENTING:

Sharing your song with others, possessing a sweet voice, knowing how to persuade others, the pen is mightier than the sword, learning new ways of expressing yourself, respecting religious pathways, enjoying sacred spaces, adapting to significant changes to your environment, being fond of myths and legends, associations with St. Francis, connection to Italian culture and crafts, muse.

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GENERAL DESCRIPTION

The blackcap is a widespread, common passerine warbler found in Europe, western Africa and Europe. They are sexually dimorphic, and have a unique colour pattern for warblers. The male is grey with a distinct black cap, the female has a brown cap. They prefer to forage and hunt in shady woodlands, and nest in groundcover, preferring low shrubs. Their song is pleasant, chattering, with occasional clear notes; isolated blackcap populations can show marked differences in style and complexity of song. The blackcap is more hardy than other warblers, taking berries as well as insects when the weather gets tough. The blackcap is partially migratory, but recently some have been changing their wintering habits due to the availability of human food and gardens and recent environmental changes; the birds that are not migratory have higher survival rates than those that are. In some cultures, the blackcap is consumed as a food and considered a delicacy. Blackcaps have long inspired Italian writers, who knew the bird as La Capinera. They are associated with St. Francis in the opera Saint Francois d’Assise.

Blue Eared Pheasant as Totem

I love writing totem files for the less common animals. I think I may have been the only person to write a totem file about the blue-eared pheasant, but you never know! They seem like awesome birds.

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BLUE EARED PHEASANT as TOTEM

Blue Eared Pheasant as Totem by Ravenari

REPRESENTS

Sibling rivalry, enjoying wild weather, feeling invigorated during cold or snowy weather, mountain wisdom, forest wisdom, having a profound connection to trees and plants, being feisty when pushed, coping well in times of crisis, being the one to depend on when things go wrong, taking advantage of opportunities as they present themselves, rooting around to get to the cause of the problem.

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GENERAL DESCRIPTION

The blue eared pheasant is a large, blue-grey pheasant, with a black grown, red wattles, yellow iris, long white ear coverts and crimson legs. They are among the most common of eared pheasants. They are sexually dimorphic with the male being larger than the female, but are otherwise quite similar. They are found in the mountain forests (Himalayas) of central and northern China, where they do very well in cold and snowy weather, and seem to enjoy inclement weather. Primarily eat berries and vegetable matters, but are opportunistic feeders. They root around by nature, and can destroy smaller plants in the process. They enjoy mud and dust-baths. Blue eared pheasants are hardy. They are monogamous, and reach sexual fertility in their first year. Males will often display a lowered wing to signify size and dominance. Chicks are lively, rambunctious, bold and look like they are smiling. If over-crowded, they will become violent and cannibalistic, killing their siblings. Males will become quite aggressive and attack other species during breeding season.

Brown Honeyeater as Totem

The second installment for today.

These guys have been visitors to my Mum’s gardens for as long as I can remember. I haven’t seen any in my garden yet, but that’s because it’s a new suburb and I’m not sure what the brown honeyeater population is like; I do see other nectar feeders though. They are drab-looking birds, to be certain, but they have lovely personalities, and a lovely call.

These guys are a fantastic totem animal for people who work with balancing the chakras, or who fall out of balance very quickly. Their habits are all about achieving the right balance, and being selective about what energy you allow into your body. Also fantastic for people who are making shields that let certain things in, and not others.

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BROWN HONEYEATER as TOTEM

Brown Honeyeater as Totem by Ravenari

REPRESENTING –

Balance, knowing how to balance your energy, being selective about how you receive and give out your energy, singing your song, possessing the ability to balance the energy of others, the unobtrusive healer, seeking and finding clarity, getting what’s yours, flowers are healing, an affinity with flower essences and flower foods at this time, learning to be happy with blending into your surroundings.

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GENERAL DESCRIPTION

The brown honeyeater is a small, grey-brown bird with a yellow tuft behind the eye, found in western, northern and eastern Australia. It is considered common and widespread, and populations are on the rise in urban environments. Brown honeyeaters live in a variety of different habitats provided they are close to a source of water; these habitats include mangroves, eucalypt woodlands and gardens. The brown honeyeater is mostly active in early morning, and seasonally nomadic within its territory, following the flowering plants and trees. It primarily feeds on nectar and will also take insects; it’s tongue is brush-tipped and specially adapted for mopping up nectar. Brown honeyeaters will also feed in small groups and flocks of mixed honeyeaters.

Brown honeyeaters maintain the same breeding territory each year, and nests are cup-shaped and woven from grass and tree-bark. They are acrobatic, busy and active birds, able to take insects on the wing and hover over nectar-providing flowers. They most prefer to feed in foliage and canopies, but will also feed on the ground. They have a distinct, beautiful, loud, clear song which is considered the best of all the honeyeaters. Some even consider it to be one of the best among Australian birds. They are predated upon by ants, pied currawong and their nests are parasitised by a variety of cuckoos.

European Pine Marten as Totem

Today you get two totems, since I fell behind!

The first:

EUROPEAN PINE MARTEN as TOTEM

European Pine Marten as Totem by Ravenari

REPRESENTING:

Forest and tree wisdom, the ability for trees and forests to be healing places, possessing great wit and cunning, being resourceful and capable of great lateral thinking when necessary, needing to chew something over, protecting your home and yourself, having a great sense of where your boundaries are, swiftness of action and movement, being exploited for what you have and what you do, keeping your body in good condition, general anxiety and fussing over things.