Brown Honeyeater as Totem

The second installment for today.

These guys have been visitors to my Mum’s gardens for as long as I can remember. I haven’t seen any in my garden yet, but that’s because it’s a new suburb and I’m not sure what the brown honeyeater population is like; I do see other nectar feeders though. They are drab-looking birds, to be certain, but they have lovely personalities, and a lovely call.

These guys are a fantastic totem animal for people who work with balancing the chakras, or who fall out of balance very quickly. Their habits are all about achieving the right balance, and being selective about what energy you allow into your body. Also fantastic for people who are making shields that let certain things in, and not others.

*

BROWN HONEYEATER as TOTEM

Brown Honeyeater as Totem by Ravenari

REPRESENTING –

Balance, knowing how to balance your energy, being selective about how you receive and give out your energy, singing your song, possessing the ability to balance the energy of others, the unobtrusive healer, seeking and finding clarity, getting what’s yours, flowers are healing, an affinity with flower essences and flower foods at this time, learning to be happy with blending into your surroundings.

*

GENERAL DESCRIPTION

The brown honeyeater is a small, grey-brown bird with a yellow tuft behind the eye, found in western, northern and eastern Australia. It is considered common and widespread, and populations are on the rise in urban environments. Brown honeyeaters live in a variety of different habitats provided they are close to a source of water; these habitats include mangroves, eucalypt woodlands and gardens. The brown honeyeater is mostly active in early morning, and seasonally nomadic within its territory, following the flowering plants and trees. It primarily feeds on nectar and will also take insects; it’s tongue is brush-tipped and specially adapted for mopping up nectar. Brown honeyeaters will also feed in small groups and flocks of mixed honeyeaters.

Brown honeyeaters maintain the same breeding territory each year, and nests are cup-shaped and woven from grass and tree-bark. They are acrobatic, busy and active birds, able to take insects on the wing and hover over nectar-providing flowers. They most prefer to feed in foliage and canopies, but will also feed on the ground. They have a distinct, beautiful, loud, clear song which is considered the best of all the honeyeaters. Some even consider it to be one of the best among Australian birds. They are predated upon by ants, pied currawong and their nests are parasitised by a variety of cuckoos.

Horned (Shore) Lark as Totem

HORNED LARK as TOTEM

Horned Lark as Totem by Ravenari

REPRESENTING:

Strutting your stuff, oneness with wind and ground spirits, staying grounded and dreaming big, knowing the healing power of the earth, the earth element, the wind element, doing what is necessary to protect loved ones, knowing the power of sacrifice, putting others first, seeking stability, don’t damage your health for environmentalism, learning to live in new environments, the healing power of open places.

*

GENERAL DESCRIPTION

The horned lark (also known as the shore lark) is a distinctive songbird with a black and yellow face pattern. The male has black ‘horns’ in the breeding season, which can be erected or lay flat. They are birds that prefer to both feed and nest in the open ground. They are found in North America, northernmost Europe and Asia, as well as Colombia. The northern populations are migratory, travelling south in the Winter. They are usually found on seashore flats, farmland, golf courses, airports, prairies, grasslands, steppes, open forests, deserts and above the mountain treelines. They primarily eat seeds, and will eat insects during the breeding season. It is the female that chooses the nesting site; and they have been known to perform distraction displays to lure away predators. The vocalisations of horned larks are high, lisping or tinkling with ascending trills in flight. They can be aggressive, with males chasing each other in flight. They are the bird species most frequently killed by wind turbines.

*

The rest of the totem animal dictionary can be found here!

Llama as Totem

No Llama totem write up is complete any longer without mentioning drama llama!

*

LLAMA as TOTEM

Llama as Totem by Ravenari

LLAMA TOTEM REPRESENTS:

Connecting respectfully with other species, inter-species relationships, having a great deal to give, demanding the respect of others, be wary of making a bigger deal out of a situation than it deserves, drama llama, unstable social circles, unstable social hierarchies, learning how to deal with not knowing where you stand, being able to protect others, the energy of hostility, high altitudes are healing, don’t be afraid to retreat to the mountains and the high places, connections with pre-Hispanic South American cultures.

*

GENERAL DESCRIPTION

The llama is a relative of the camel, found in South America, that has been utilised as a domestic animal since pre-Hispanic times. It is utilised for its soft and lanolin-free fleece, to carry loads over rough terrain, for leather, for food and for fuel. An overloaded llama will refuse to move and can become aggressive and hostile, but generally if well-raised they are considered intelligent, curious, and easily trained with positive reinforcement. Guard llamas have been utilised since the early 1980s, as they bond firmly with sheep, and require almost no training to protect sheep from predators. They can be differentiated from alpaca as they are larger and have a longer head.

Llama are grazers of grass and chew cud, they will also consume lichens, low shrubs and other mountainous plants, and need very little water. They are well-adapted to survive in sparse mountainous terrain, with their red blood cells able to carry more oxygen than many other animals, making them suited to high altitudes. They have an ambling gait. In the wild they live in groups of about 20, that is defended by a male. Fighting males will try and force another male to his knees, they will also neck wrestle and spit. They mate lying down and for approximately thirty minutes, both unusual in larger animals. Llamas are social by nature, and can live between 20 and 30 years. Considered significant to the Moche, the Incans, as well as other Indigenous nations. In contemporary times, the term ‘drama llama’ has emerged as an internet-originating term referring to people who bring random or over-inflated drama with them, and generate conflicts.

*

This and other files like it Can be found at my totem dictionary, representing 258 animal totems and growing.

Marbled Polecat as Totem

These guys are freaking adorable.

*

MARBLED POLECAT as TOTEM

Marbled Polecat as Totem by Ravenari

REPRESENTING:

Fighting back, putting on a good show, not being afraid to stand up for yourself, confronting what you fears you, seeking out problems before they find you, metaphorically and literally baring your teeth at threats, ripping what is inconvenient out of your life, being gutsy and bolshy, being able to sniff out drama, recharging on your own, maintaining your boundaries.

*

DESCRIPTION

The marbled polecat is a small mustelid found in south-eastern Europe and western China. They are predominantly solitary, and maintain territories within which they are very active, rarely sleeping in the same den twice. They will often be aggressive to each other in encounters. They will use the dens of other burrowing animals and stay in underground irrigation tunnels, or dig out their own dens with their long, strong claws, using their teeth to remove roots and grasses. They are good climbers, but prefer to hunt on the ground. They are omnivorous, and eat many species of rodent, small hares, birds, lizards, fish, frogs and insects. They will also eat fruit, grass, kept birds (poultry and pigeons) and steal human food.

They are found in dry areas and grasslands, open desert, steppes, subtropical scrub forest, semi desert and rocky areas, they avoid mountainous regions. They are crepuscular in nature, and primarily use their strong sense of smell for hunting, possessing weak eyesight. They have a limited vocalisation range, emitting alarm cries, grunts, and submissive shrieks. When threatened, they can erect their fur and often stand on their hind legs and hiss; when pushed, they will emit a noxious odour from their anal glands. They were once sought after for their fur, and Kabul shopkeepers used to keep them to exterminate rodents. They are currently considered Vulnerable due to habitat and prey depletion.

*

The file and the rest of the totem dictionary can be found here!

Wandsuna – Mr and Mrs Finch

So I’ve been up to stuff lately! I just completed my first semester in the Master of Communication, and now I’m on tenterhooks to see how I did overall. Nerve-wracking! I sail into my second semester over Christmas/New Years/my birthday, which is kind of relief, I’ve never been too enamoured of December in general. It’s hot.

*

I turn 30 this year. On the one hand, it seems to be some kind of stereotypical that I should be panicking right now. On the other hand, it’s just an arbitrary age that signifies the fact that I’m getting older. Something that happens every single day, you know? I don’t know how I feel about it. Do I wish that I’d achieved more by now? Of course. But I never knew Post-Traumatic Stress Disorder could be so overwhelming, nor did I realise when I was younger just how sensitive and gentle I am; and that has – by necessity – lead into a life where I take things slowly, and gently.

*

Do I have any goals for 2012? Yes. I want to finish the drafts of two books. One on shamanism, and a science fiction novel (booyah). And my personal goals? I’d like to learn a greater tolerance to stress, and experience greater periods of contentment. I suspect the two are connected.

*

Let me leave you with the new installment in the Wandsuna series:

*

Wandsuna - Mr and Mrs Finch, by Ravenari

I’ve been framed!

Two frames arrived today from Frameshop.com.au. I’ve had hit and miss success with them; I’ve had two frames arrive broken in the past, but their prices are also very competitive, and so with trepidation, I decided to invest in another two frames for two Wandsuna illustrations. And they are beautiful; arrived safely and everything.

*

Wandsuna – Foxes Don’t Cry was the first non-pastel Wandsuna work that I illustrated, and I was kind of hooked on the ink -> watercolour pencil -> pencil -> acrylic -> etc. format and knew I’d have to revisit it. I love this illustration. So many foxes! So much red! Foxes! Red! And basically all my sophisticated thoughts drift off from there.

*

Wandsuna - Foxes Don't Cry by Ravenari

*

Wandsuna – Remember? is probably one of the most personal illustrations I’ve ever done, though the symbology for Wandsuna is quite complex, I still found it impacted people in personal ways as they watched the progress on Dreamwidth. The interpretation of the image by others was perhaps – is still, perhaps – my favourite part of putting a piece of artwork out into the world. It’s because of this that I still maintain a great reluctance to explicate the themes and symbols of the Wandsuna illustrations.

*

I feel the artwork should be able to speak for itself; and I feel the dream-like nature of the Wandsuna series reminds us all that all artwork speaks first to unconscious processes, and then to consciousness.

*

I’m happier than I thought I would be with this colour combination. The cream mattboard really brings out the cream/white costume, and that’s awesome.

*

Wandsuna - Remember? by Ravenari

*

I’ve been very much enjoying the wild, blustery Perth weather of the past 24 hours, and I hope it continues. FOREVER. Okay, but in all seriousness, I would not be upset if the rain continued FOREVER. Particularly if it remained blustery and there were overhead booms of thunder and flickers of lightning. I know storms can’t last, but one can live in hope! I imagine all the angry powerless flooded people will be knocking on my door soon with angry letters and glares.

*

I’ve been living wild in the wondrous music of:

*

Woodpigeon
Joe Hisaishi’s – Ni No Kuni soundtrack (NI NO KUNI! Is anyone else as excited about the English release of this video game for the PS3? Has anyone heard of it? You don’t know? OH MY GOD, MIYAZAKI AND STUDIO GHIBLI TEAMED UP TO MAKE A DS and PS3 FINAL FANTASY STYLE GAME BUT WITH THEIR STORYBOARDS AND MUSIC AND OH MY FREAKING GOD IT LOOKS AMAZING. The DS version has been getting great reviews so far.
Ludovico Einaudi
Robyn
And a bunch of other things.

*

I’ve started a Master of Communications, to complement my Bachelor of Communications, and mostly because I’m a total suckah for punishment. It’s hard work, but it’s also a lot like revisiting my old friends. Oh media theorists, I’ve missed you. *pets Fiske and Hartley.*

Help me, my pretties.

Hello everyone.
I’ve been wanting to use this blog more, but I’m simply not sure how to go about it. I have so many things I’d like to write about publically, or for the public eye, but how? And who’s interested? So, I’m here to ask for your opinion. What sort of things would you like to read?:

*

* Art showcases of other artists (sometimes including interviews)
* My own art (well, I think that’s a given)
* More about my methods as an artist.
* Experiences of being a writer/artist with PTSD / touch phobia
* More about the touch phobia (do you know that my ‘outing myself as someone with a touch phobia’ blog post is the most read and searched for blog post on this whole journal? I am constantly shocked by a) how many others must have it and b) how sad it is that my account is so far one of the most comprehensive online.)
* Information about animal totems as I write new essays.
* Writing information, including some of my processes like plotting, my habit of using script-writing methods to plot novels, and so on.
* Issues with being a mentally ill, female artist on Disability.
* TV and media reviews.
* More about my positions as someone very concerned with media analysis, and about to commence a Masters in Media Studies.
* Some other miscellaneous thing that I’ve forgotten, that you’d like to see more of.

*

I worry that this blog is too unfocused. Much in the same way that people are encouraged to ‘specialise’ in their career (sometimes), I feel as though there is pressure on me to post only about one topic all the time. It’s not who I am. I’m an artist AND a writer, it stands to reason that I’d bring different things to the table here. But I’d still like some input as to what you’d most like to see, so I can start thinking about the kind of trajectory I’d like to set this blog on. After all, I’d like to use it more, it’s just sometimes I think all the things I want to write about are too ‘out of no where!’

*

Help me, my pretties. My regular and irregular readers. What brought you here? What do you enjoy reading most? What do you think I could write about that I don’t write about now?

*

See you in the comments!